Watch 1776 Movie Online
Tuesday, April 26th, 2011
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Watch 1776 Movie Online.
Movie Title: 1776 1776 is available for streaming or downloading. |
Every 4th of July I stare “1776,” the musical that has our Founding Fathers singing and dancing their intention to Independency, and every time John and Abagail Adams dispute goodbye to each other (“Till Then” and “Yours, Yours, Yours”), I find choked up. William Daniels has his role of a lifetime as John Adams, the execrable and disliked Massachusetts delegate to the Continental Congress who is the most eager advocate of independence (“Piddle, Twiddle and Settle”) . Virginia Vestoff plays his wife Abigail, and their exchanges are based on the “Dearest Friend” correspondences they wrote to each other during the crucial summer of 1776. However, the most unforgettable performance in “1776″ comes from Howard Da Silva as Dr. Benjamin Franklin. The actor, who played movie villains for years, manages to bellow not only Franklin’s wit but also his firm plan in the unusual speed of “Americans.” Ken Howard plays Thomas Jefferson and joins with Adams and Franklin in the show’s two cutest numbers, “But, Mr. Adams” and “The Egg.” I have never cottoned “The Lees of Worn Virginia,” the song sung by Richard Henry Lee (Ron Holgate) and where every lyric line ends with “LY,” but at the other extinguish of the spectrum is the chilling “Molasses to Rum to Slaves,” the song about the Triangle Trade sung by South Carolina’s Edward Rutledge (John Cullum) . The ensemble cast brings the Second Continental Congress alive, with Roy Poole as Stephen Hopkins, David Ford as John Hancock and William Hansen as Caesar Rodney standing out. Most of the cast members were in the Tony Award winning unusual Broadway cast, although Blythe Danner replaces Betty Buckley as Martha Jefferson (“He Plays the Violin”) .
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Peter Stone’s book is remarkably upright in relating the historical events; the biggest error a historian would point to is that John Dickinson (Donald Nettle), did not reveal up the day of the crucial vote so that Pennsylvania would not raze Independence. But Broadway and Hollywood must be allowed to beget things more dramatic. What makes “1776″ so unbelievable is how it teaches history while being so animated. The opening of the film, where the tirade by Mr. Adams against the do nothing Continental Congress is interrupted by the collective Founding Fathers jumping up and singing “Sit Down, John,” sets the tone and Peter H. Hunt’s film delivers throughout. The show’s best moment comes in “Is Anybody There? ” when John Adams, all alone in the serene chamber, dreams of the pomp and pageantry of a free America.
I also have the laserdisc version, which runs 176 minutes and includes 35 minutes of material originally slash from the film, including the song “Frigid, Considerate Men” and alternative shots in several sequences. While the quality of the additional material is in very murky shape, fans of “1776″ will grasp what they can earn. Hopefully the complete film can be restored before we accumulate to the DVD version (hint, hint, hint) . Granted, the understanding of a musical about the Declaration of Independence seems bizarre; I once blew off a chance to scrutinize “1776″ on stage because I idea the understanding was uninteresting. But this is a salubrious musical that makes the time and issues advance alive, so that even notion we obviously know the outcome, we are enthralled because it looks like Mr. Adams will never bag his Declaration adopted. If you are looking for a film to ogle each 4th of July, “1776″ is the one.
First, let me say that I’m not a large fan of movie musicals. However, I’ve always made an exception for 1776. I bellow it’s my abiding interest in history, and in the current presentation of history, that keeps me coming attend to this film. For the uninitiated, 1776 is the fable of the signing of the Declaration of Independence, and was first presented on Broadway in the leisurely 1960s. Space in Philadelphia in June and early July of 1776, the action centers around John Adams’s attempt to rep a reluctant Continental Congress to instruct the 13 colonies independent of Gargantuan Britain. Adams, and his allies (including Ben Franklin and Thomas Jefferson), is opposed at every step by the conservatives in Congress, led by John Dickinson of Pennsylvania. Although we know the ending, it is to scriptwriter Peter Stone’s credit that we realize things may have turned out rather differently.
My first recorded version of this movie was taped off of a local television state that had drastically edited it for length and negate. When I finally got around to buying the VHS version of 1776, I was amazed at what had been left out, particularly when it came to the earthier dialogue. Imagine my reaction to the recent DVD director’s prick edition of this musical; it was like watching a completely unusual movie. Bridging scenes that had been edited out now provide a nearly seamless sage spin, and the musical number “Wintry, Considerate Men” has been restored, providing for greater balance between the conservatives and radicals in Congress.
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The cast, a number of whom reprise their roles from the Broadway production, is nearly flawless. William Daniels IS John Adams, hard-headed, driven, passionate, “immoral and disliked”. Howard da Silva is equally effective as Benjamin Franklin, elder statesman and earthy man-of-the-world, while the rest of the actors do very well by their characters. Of necessity, the film’s emphasis is on Congress, and therefore on the male of the species; women are petite to two roles–Martha Jefferson, played by Blythe Danner, and Abigail Adams, played by Virginia Vestoff. Of Danner’s role, there is puny to say beyond the fact that the actress is a smart mask presence. Vestoff, on the other hand, has a rather more mountainous role as John Adams’s wife, confidant, and sounding board. The film effectively portrays the correspondence between John and Abigail, a partnership that was, in many ways, noteworthy in American history.
Director Peter Hunt keeps things spirited along at a sharp paddle, propelled by the music of Sherman Edwards, who also wrote the lyrics. It’s hard to recall a well-liked song, but two stand out in my mind–the chilling “Molasses to Rum to Slaves” and the poignant “Mamma, Gaze Intriguing”. The customary underlines the flawed nature of the American Experiment–that a modern nation established on the principle that “all men are created equal” would also hold hundreds of thousands of people in chains. The latter song brings home the fact that while Congress engages in endless debates, men (and boys) are dying on the field of battle.
I could dwell at some length on the historical inaccuracies embodied in this movie–the character of Assume Wilson, for one, and that of Richard Henry Lee, for another. However, purism aside, what 1776 makes obvious is objective what a halt race thing independence really was, that there was, indeed, a important proportion of Americans (and their representatives) who wished to remain real to the British crown. Better yet, the Founding Fathers are portrayed mot as marble men, but as the passionate, flawed, flesh-and-blood individuals they were.
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