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When Tae Suk (Jae Hee) and Sun-hwa (Lee Seung-yeong) meet or more to the point perceive each other for the first time, it takes but a moment for them to realize they were meant to be together: one, very aloof moment you leer because neither of them insist nary a word during the bulk of Ki-Duk Kim’s “3 Iron.” In fact, in this movie it is only the loud mouths, the abusers, the malcontents, the bullies, the awful guys who content out loud and when they do, it usually is a cry, a set down or an abuse.
Tae Suk has an ingenious style of living: he breaks into unoccupied homes and settles down for a night or two. He even does any laundry he finds and neatly hangs it out to dry. He also repairs anything he finds broken: he is the ultimate, caring intruder as, even though he eats whatever is in the refrigerator, he often leaves the home cleaner than he finds it.
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It is during one of those “stays” that Tae-Suk meets Sun-hwa, who escapes her abusive husband and joins Tae-Suk in his vagabond ways. Almost immediately, Tae-Suk and Sun-hwa are in sync in what becomes “their” quest to accept the perfect home to gain. One such home is decorated in the archaic Korean-style with a dazzling garden and the two are the most mild and at peace there as befits their obviously loved and care-for surroundings.
As with all fables, and “3 Iron” is definitely one, the sincere world intrudes in the person of Min-kyu (Kwon Hyuk-ho), Sun-hwa’s abusive and faulty husband who promptly buys off the police and has Tae-Suk arrested and sends Sun-hwa into a major depression.
Director Ki-Duk Kim (the sublime “Spring, Summer, Topple, Winter…and Spring”) delicately slices launch Korean society and exposes the homely underbelly and the trusty brutality the often passes for esteem and caring. And by extension, he exposes this fakery underneath all societies with the bold exhaust of wit, humor and a sparkling witness on what makes us all tick. That he also creates a romance that rivals that of any fresh cloak pair honest adds to his masterful achievement.
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“3-Iron” is a scrumptious surprise. Kim Ki-duk’s “Spring, Summer, Plunge, Winter” was so lyrical and so cinematically exquisite that it is incredible that this DVD keeps up that film’s quality. The fact that most of the film is nonverbal makes this subtitled drama particularly easy for international audiences to adopt. Jae Hee Song as the young lead Tae-suk is excellent looking and keeps our eyes glued to the veil. The recent place of a young man who breaks into houses and apartments while the owners are away is filled with lyrical details. In one scene, he carefully selects a toothbrush before sitting on the toilet brushing his teeth. He seems to experience the lives of the people by seeing their surroundings, cleaning their clothes, fixing appliances & eating their food. Lee Seung-yeon was in a 1996 film about a serial killer called “Pianoman” before taking on the role of Sun-hwa. Sun is an abused wife of a controlling husband. Tae-suk inhabits her house as she quietly observes him taking a bath and reveals herself to him as he lies in her bed self-stimulating to nude pictures of her from an album. Her middle used controlling husband Min-kyo played by Gweon Hyeok-ho returns from a business waddle. He has bruised her face and bloodied her lip and blames her for not picking up the phone and speaking to him. Poor, she falls into an comely wordlessness that suits Tae-suk’s observant lifestyle of stepping into other people’s lives. After the husband has slapped his wife, Tae-suk launches golf balls into the squealing husband. When Sun-hwa flees with Tae-suk on his motorcyle, they enter a series of other people’s homes, relaxing on a red sofa looking out on an interior garden, being in the home of a boxer and finally finding the body of an elderly person that they dapper, wrap and bury according to custom. Not each of Tae-suk’s attempts wind up benign, however, as he injures a person in a car with a golf ball and perhaps results in the shooting of a young mother. Ju Jin-mo plays the gross detective who eventually charges Tae-suk and releases Sun-hwa to the prison of her husband. Tae-suk immediately applies his observation of little detail to his jail cell, memorizing the floor, exploring the walls and completely making himself at home. Lee Ju-suk is the abusive jailer who repeatedly investigates an apparently empty cell as Tae-suk mirrors each movement and stays directly leisurely the jailer. It is breathtaking cinema for the incorporation of martial arts-like movement and dance in to the simplest of surroundings. The film concludes with Tae-suk’s speed and revisiting of houses into which he had previously broken. It climaxes with him reuniting with Sun-hwa, kissing her as she hugs her husband. “3-Iron” is a unbelievable delight, quite different from the heavy-handed car-crash Hollywood-style blockbuster, pixie-like in its sweetness and simplicity. It explores the sometimes shrimp distance between life and dream. Bravo!
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