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2019 – After the Fall of New York Movie Streaming.
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Originally I idea 2019: After the Tumble of Recent York (1983) was a sequel to 1990: The Bronx Warriors (1982), but that was heinous (the latter did have a sequel titled Bronx Warriors 2, released in 1983) . This is actually a completely different rip off of John Carpenter’s Run from Fresh York (1981), and one of the many post-apocalyptic future tales so prevalent in the early to mid 1980′s. Co-written and directed by Sergio Martino (Screamers, Alligators, Atomic Cyborg), this Italia-Franco production stars Michael Sopkiw (Devil Fish, Blastfighter) in his mask debut. Also appearing is Valentine Monnier (Devil Fish, Three Men and a Cradle), Romano Puppo (Bronx Warriors 2), Anna Kanakis (The Novel Barbarians), George Eastman (1990: The Bronx Warriors), and Al Yamanouchi (2020 Texas Gladiators, Endgame, Warriors of the Year 2072) .
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We launch with a short introduction with Michael Sopkiw, obviously tacked on for this release, and then into the movie suitable. As we scan over visages of once huge, now destroyed cardboard puny city (it must picture Novel York, as we also scrutinize a diminutive of The Statue of Liberty), a affirm over tells us it’s been 20 years since the nuclear holocaust (initiated by the Euraks, a collective consisting of Euro/Afro/Asian countries) and because of the subsequent radiation, no unusual babies have been born (everyone’s sterile, you examine) . We also learn the Euraks control the rubble that was once Unique York, utilizing squads of mercenary hunters as they progress with their `de-infestation’ program (the killing of the scabby, mutated denizens…they keep the not so damaged peoples for experimentation) . After this we prick to the Nevada desert where we meet our shaggy hero, Parsifal (Sopkiw), participating in some sort of goofy demolition derby of death, which he wins, of course, but barely has time to appreciate his victory as he’s kidnapped by some Pan American Confederacy goons and taken to a secret shrimp deplorable in Alaska. Turns out there is one fertile woman left in the world, and they want Parsifal to retrieve her so they can harvest her eggs, ensuring the survival of the human rush. Only pickle is the woman is in Fresh York, which is controlled by the Euraks, who wouldn’t mind getting their grubby mitts on her, as they’re also struggling to fracture the sterility stalemate, but they’re unaware she even exists (at least until Parsifal spills the beans…ample job there, dingus…he wasn’t even being tortured or anything) . Accompanied by two Pan American aides, Parsifal and his companions accomplish it into Unique York, which was the easy section…now all they have to do is obtain past the Euraks and the various gangs, win the woman, and bag her out as the survival of mankind hangs in the balance…
My second foray into The Post Apocalyptic Collection (as stated on the DVD case for this film and that of 1990: The Bronx Warriors, both released by Media Blasters) proved to be a more delectable than the last one in 1990: The Bronx Warriors, as this film was objective consistently more violent, featuring scenes of disembowelment, sonic torture, groin stabbing, head bashing, heads exploding, discover gouging, throat slashing, flamethrowers, laser guns, automotive mayhem, rats, and a whole lot more… Martino lays it on sparkling thick, and that’s a pleasant thing because this film would have pain playing towards its other aspects, like the legend, scripting, acting, etc. In terms of anecdote, this one sticks powerful closer to that of Sprint from modern York, while 1990: The Bronx Warriors tended to be an amalgam of a couple of different films including Speed from Fresh York and The Warriors. One thing that seemed curious to me was the exhaust of so many different characters when less would have sufficed. Did Parsifal really need those two Pan American aides? One guy was supposed to be really strong and the other was supposed to be really familiar with the layout of Unique York…both of these aspects could have been worked into the myth in such a method as to leave these characters out…also, the character of Giara, played by Monnier…at first we contemplate she’s the woman everyone is looking for, but turns out not to be fair…she ends up being the cherish interest for Parsifal, but what’s the point? So they can have an extremely lame and painful debate on whether or not mankind is worth saving? Ugh, unprejudiced go demolish some more Eurak punks, for God’s sake…and the villains, one of them played by Anna Kanakis, were diluted solely on the fact that there were two (one would have been sufficient), neither of which had any colossal amount of shroud time or struck me as being a particularly menacing characters. These elements do work against the space, but at least it is strong enough to stand up and halt reasonable focused. In terms of characters there are plenty of them (whether they’re needed or not) including a dwarf (whose name is Shorty…gee, that’s not demeaning at all), the Rat Eater King (Yamanouchi), the Fu Manchu looking leader of a subterranean tribe that lives off rats, Astronomical Ape (Eastman), leader of a tribe of devolved, Cro-Magnon types, and others…once past the miniatures, which were ancient solely to show dwelling, the dependable dwelling shots looked applicable to the film and hinted at decent production values…although that Recent York Eurak stronghold looked a lot like a distillery to me, but you spend what you can in the world of gross budget filmmaking. The dialog was shapely poor (as expected), illustrated by the following line that occurred during a conversation between Parsifal and Giara, “If savor had any meaning in this world, you’d be the one I savor.”…I don’t even know what that means…here’s another bit of flotsam spoken by Giara, “I’m really rooting for you to bring this mission off.”…I was rooting for some tongues to be removed as not to have to listen to anymore of this craptacular interaction. At least the music was decent, the action consistent, and the violence ever explain, making this an animated flick that rises (slightly) above its brethren.
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Media Blasters provides an exceptionally good-looking, anamorphic widescreen (1.85:1) print on this DVD release. The audio is very strong, and is available either in Dolby Digital 5.1 surround or Dolby Digital stereo. Special features include a short art gallery, an modern theatrical trailer, and separate interviews with the director Sergio Martino (14:12), actors George Eastman (5:16), and Hal Yamanouchi (4:32) .
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After the emergence of John Carpenter’s 1981 “Elope From Novel York,” numerous cheap imitations appeared as if by magic. Made mostly by Italian filmmakers like Sergio Martino and Enzo G. Castellari, the Italian science fiction genre never got off the ground because it suffered from numerous fundamental failures. One deficit these directors encountered was meager budgets. Granted, “Run From Recent York” did have a lower budget, but John Carpenter overcame this deficit quite nicely because even with less money (by American standards) his funds peaceful towered over anything the Italians could ever hope to raise. Moreover, Carpenter’s cast list for his science fiction narrative boasted such principal talents as Kurt Russell, Harry Dean Stanton, Ernest Borgnine, Adrienne Barbeau, Isaac Hayes, and Donald Pleasance. With such a stellar ensemble as this one, Carpenter could hardly have failed to originate something worth watching. Sergio Martino’s “2019: After The Tumble of Modern York” cast is, with famous exceptions, largely forgettable, and the movie really suffers from a host of cheesy special effects because of budgetary restraints. Having said that, there is enough all around silliness in this film to withhold a B movie fan hooting from beginning to raze.
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“2019: After the Tumble of Unique York” begins with a bellow over. According to this monologue, Fresh York along with the rest of the country fell into nuclear chaos some twenty years before 2019. As the camera pans over a ravaged Modern York, we sight that the Euracs now maintain Unique York City and other regions of the venerable United States. These Euracs (an abbreviation referring to a confederation between Europe, Africa, and Asia) now hasten through the blasted streets of Fresh York City in search of the only fertile woman left on the planet. The Euracs need this woman in order to perpetuate their iron rule over this conquered territory. Moreover, the power to have children will also allow the Eurac confederation to finally vanquish any smoldering remnants of the PAN, the marvelous guys of a Pacific-American orientation. The Euracs aren’t completely distinct PAN survives, but that’s because they cannot glance into the chilly realms of Alaska where PAN has its secret execrable. In the meantime, the Euracs consume their time riding around the ruins of Unusual York on horses and attacking the local population with flamethrowers (always a righteous stamp for this viewer) and outlandish laser guns shaped like cheesy crossbows. These thugs even dress in sunless capes complete with helmets that peruse a lot like catcher’s masks. Those Euracs are wicked people!
Fortunately, the future of humanity has a hero in the originate of Parsifal, played with iron-faced solidity by Michael Sopkiw. An American male model who only made four shameful budget films in his career, Sopkiw is sort of a hero to sure segments of the B movie fan dismal. Gaze I say Clear elements of the fan cross because most people watching this film will yell with laughter over Sopkiw’s acting skills. I know I did. This guy makes Joe Dallesandro observe like Robin Williams. The edifying thing about saving the future, however, is that you do not need to be a obedient actor. When we first meet up with Parsifal, he’s earning bucks and babes by taking portion in a rupture ‘em up car derby somewhere out in Nevada. After winning this hasten by killing several opponents, Parsifal soon finds himself transported to PAN headquarters in Alaska, where the president of PAN (played by Edmund Purdom! What the heck is he doing in THIS?!? ) informs our hero about a mission to rescue the last fertile woman. If Parsifal accomplishes this mission, he gets to buy the girl and blast off the ruined earth in a hidden rocket ship. To befriend him on his assignment, the president sends a whopping wait on up force of two men along with Parsifal.
At this point, the movie really begins to lift up. Martino treats us to endless battle scenes as Parsifal and gang go through the streets of Recent York in search of the woman with the golden womb. The three heroes encounter street gangs, Eurac soldiers, a group of midgets, and a band of half man/half ape creatures during their quest. The whole thing is completely ridiculous, of course, and only gets more so as the portray progresses. In fact, you will be amazed at the imaginative leaps you will get unprejudiced to retain up with the unfolding dwelling. The final segments of the film where Parsifal and the gang hump through a tunnel on the map out of the city should gain an award for the hokiest action sequence ever filmed in motion portray history. There is some underlying message about hope for humanity throughout the film, but it is buried under layers of unpleasant acting, metacheesy special effects, awful editing, and a lame script. The only thing that really appeals is the gore, with exploding heads and gunshot wounds aplenty in nearly every scene.
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I gain it difficult to condemn this movie, though, because it’s too remarkable fun to spy it. Especially comical is George Eastman, an actor better known from such films as “Anthropophagus,” in the role of Gargantuan Ape, the leader of the carnival gang. At one point in the film, you will hear the following line, “I’m from the stick people. You’re Grand Ape, just? ” Need I say more? With lines like that, who needs immense budget Hollywood productions? Amazingly, when you pick up done with the movie, you can observe through the extras on this Media Blasters DVD. Extras? For a film of this caliber? You bet! Interviews with Sergio Martino, George Eastman, and Al Yamanouchi all appear on the disc, along with a short introduction to the film by an aging Michael Sopkiw. You simply cannot possess how cheesy this movie is, so only diehard B movie fans should expend time with this one.
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